Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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William Etty
Youth on the Prow and Pleasure at the Helm

ID: 75923

William Etty Youth on the Prow and Pleasure at the Helm
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William Etty Youth on the Prow and Pleasure at the Helm


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William Etty

1787-1849 English William Etty Location English painter. Born into a Methodist family, he was the seventh child of a miller and baker in Feasegate, York, and in 1798 he was apprenticed as a printer to Robert Peck, publisher of the Hull Packet. Financial support from his uncle, a banker, allowed him to go to London in 1805, where he entered the Royal Academy Schools in 1806. For a year, in 1807-8, he was a pupil of Thomas Lawrence, who greatly influenced him. Following the death of his uncle in 1809 he became financially secure. From 1811 he exhibited regularly at the Royal Academy and the British Institution and in 1816 worked in the studio of Jean-Baptiste Regnault in Paris.  Related Paintings of William Etty :. | The judement of Paris | Christ Appearing to Mary Magdalene after the Resurrection exhibited 1834 | The Storm 7 | Thwe Judgement of Paris | Female Nude in a Landscape by William Etty. |
Related Artists:
Emile Levy
Paris 1826 - Paris 1890. French Academic Painter, 1826-1890. Studied under François-Edward Picot and Abel de Pujol.
BAROCCI, Federico Fiori
Italian Baroque Era/Mannerist Painter, ca.1535-1612
Jacopo da Empoli
1554-1640 Italian Jacopo da Empoli Location Italian painter and draughtsman. He lived and worked in Florence all his life, and he followed Santi di Tito in the return to the clarity of the Florentine High Renaissance. He absorbed the ideas of his more innovative contemporaries and became one of the most popular painters of altarpieces for churches in Florence and Tuscany. He was also a distinguished still-life painter and received many commissions from private patrons, among them the Medici. Empoli painting is distinguished by simple, lucid forms, strong colour and direct and clear interpretation of the subject.






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